Samples & Stripes

Regalt

This is a follow up to previous works of a similar grain by members of Master Mosquito, this track brings forward similar sounds of past tracks. Smooth and melodic synths backed with down tempo rhythms and crisp layered guitars which create an ethereal soundscape suitable for any listener. This is one of my favorites which compliments the similar track named ‘Tallboy’ nicely.  Much thanks to Aaron Schultz (DJ DRM) founder of Bastard Jazz, and Jamie Roberts for making this complete.

Master Mosquito – Regalt

Tall Boy

tallboy-boobs

This work-in-progress is an unreleased (well, except for here)  follow up of past works of a similar grain by members of Master Mosquito. Emotive guitar styling with warm and sunny synth melodies carry you through this eclectic, spacious, and resonant track. Much like a Tallboy it’s good anytime in any situation. Much thanks to Aaron and Jamie for their hard work on this one.

You will find that the stripes included in this zip are not one-to-one matches with the final mix. As edits, adjustments, and rearrangements made I opted not to export the stripes a second time. Nonetheless, all the elements are there and ready to go!

Master Mosquito – Tallboy

Green

Here’s what I wrote on the old site:

“Green” started several years ago and the initial melody was used in a song I co-wrote with a band that’s been long broke-up.  Out of respect for music in general I will never post the track’s roots; but eventually it was reworked into its current form. Pretty and melodic. Not bound by deadlines this will likely always be a work in progress as I’m constantly attempting to “fix” the drums. My perpetual dissatisfaction notwithstanding, please enjoy!

This still holds true.  The sounds in the beginning of this song are some of my favorites.

Green

Orange

“Orange” sounds a bit like Trans Am meets Ratatat and uses some interesting point and counterpoint melodies that blend together across a tight unaggressive rhythm.   It’s not danceable but it’s definitely listenable.  The melody sounds continuous but it’s actually two different parts that introduce themselves in the beginning then overlay on top of each other making a nice moving progression.  In retrospect, changing the tambre of the two parts or panning them in the mix might make that more apparent.  Lessons learned for next time.

Orange

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