MP3

Cassette Tapes: DJ Spree – Trance

It’s so funny that this tape, like the last two I’ve posted about is also called ‘Trance’.  I mean, based on the last two examples and this one, all dance music from the early to mid nineties was trance.  Inacurate music classifications notwithstanding this is a tape made by DJ ‘Spree’.  If memory serves his name was Anthony and he was from somewhere in Brooklyn.

The restored .mp3 mix:
DJ Spree

Electro-harmonix Stereo Memory Man

One thing I received for Christmas this year was the Electro-harmonix Memory-Man and it is absolutely un-fucking-believable. I love it. I’m not even sure where to begin but I’ll start with saying one thing I look for in good effects, pedals, and gear in general is the fun-factor and this little monster definitely has it in spades.

Generally speaking this is simply an echo-delay pedal. But where it excels is with the addition of a looper with which you sample and loop the input, play over it, re-sample it, bend the crap out of the sound, re-sample it, ad-infinitum. I literally disappeared into outer space for four hours the first time I played with it.

I’ll spare details on its operation. You can find much more useful information on the Electro-harmonix website. Pay close attention to their tone-tips section which has a great trick on how to maximize the insanity with this delay/looper. Beautiful:

and some sounds samples of the pedal in action…

Electro-harmonix Memory Man SFX example 1
Electro-harmonix Memory Man SFX example 2
Electro-harmonix Memory Man SFX example 3
Electro-harmonix Memory Man SFX example 4
Electro-harmonix Memory Man SFX example 5
Electro-harmonix Memory Man SFX example 6
Electro-harmonix Memory Man SFX example 7

Cassette Tape Series: Fantasy Trance?

Frankie Bones - "Fantasy Trance"

Another post for the Cassette Tape Series.  Who knows where this one came from or how it ended up in a box in my basement.  This one is funny because it might say ‘Frankie Bones’ on that tape but I’m pretty sure there’s no way that’s who’s DJing.  I’m not sure what ‘Fantasy Trance’ is either.  All in all though, it’s not terrible.  The audio quality on this tape was terrible though.  However after a couple hours of work it’s good enough for the next decade.  So if poorly recorded mid-nineties-mystery-dance music mix-tapes are your thing you might enjoy this.

You can grab the restored .mp3 mix here

Cassette Tape Series: DJ DB "Trance"

Trance!

I decided to transfer a bunch of old cassettes to digital and I came across a handful of mix tapes from somewhere in the ballpark of 1994.  The audio was in serious need of some TLC and the music… lets just say it reflects that period of time.  I’m not even sure who DJ DB is or where this tape came from.  It’s my handwriting on there so I definitely dubbed it from someone but other than that who knows.  Even though the audio quality is terrible I encoded it at 256kbps so as to preserve history in all of its glory.

you can get the full mix right here

Audio Test & Development Box

I frequently work on projects in the living room in front of the TV while sitting on the couch soldering away hunched over a disarray of wires, parts, wires, speakers, cords, breadboards, and tools. Whenever I want to work from the couch I have to go into the studio and make 15 trips up and down the stairs, cables, toolbox, parts boxes, soldering iron, etc. It’s always a major hassle. Then, when I’ve finally completed mocking something up on the breadboard and I want to test it I need speakers, headphones, a sound source and I have to connect it all with alligator clips. It’s really inefficient and makes me less apt to start a project because all I can think about is the huge mess it’s going to make.

So I decided to put everything I need into one self contained box; an audio test and development box. Below is a description of the parts and procedure I used to put it together. If you’re in a similar situation hopefully this will give you some inspiration to come up with a solution that works for you.

If you want to see all the project photos in high resolution you can find them on Flickr here: Audio Test Box Images

Initially I needed to build a box. I looked through all my scrap wood and it was all ¾” plywood which would be way to heavy. The smaller pieces were odd shaped and unusable. I looked at everything from cookie tins to shoeboxes and didn’t like anything I was coming up with. I checked Wal-Mart for something I could get cheap and hack into what I needed but I didn’t find anything there. Then I went to Hobby Lobby because I remembered they had some project boxes for putting flower displays in. After looking through the whole store though I found the perfect box. It’s a miniature “child’s desk” with a top that lifts up. It was exactly what I was looking for, I just didn’t know it. Best of all, it was only $15. You can find them here: Wooden Child’s Lap Desk

What I wanted was a box which had a variable DC power supply, an AC jack, an amplifier, speakers, an audio source, an AC outlet for the soldering iron, a place to put some tools or parts, a quick way to hook up audio ins/outs and DC voltage, and room for multiple breadboards.

Most of it I was able to find around the house. Here are the guts from a pair of old busted up (but functional) computer speakers. These had been lying around for years. But even if I didn’t have them I see them all the time at Goodwill for a couple of bucks. It was a bit of a pain to crack these open. Most of them are manufactured so you can’t service them so you have to break the seal on the plastic to get to the guts. I just used a screwdriver and pried the crap out of it until it snapped. Dirty but easy.

The DC power supply I used was one I had purchased a couple of years ago for a project. It’s a Meanwell Switching Power Supply that I picked up at Fry’s. Fry’s is one of the last few national stores that still carry electronic components. It’s convenient if you need something right away… just hop in the car and get what you need… but be prepared to pay a premium. Anyway, this is the power supply:   Meanwell Switching DC power Supply I’ve used this power supply dozens of times and it’s great. AC in, DC V+ and V- out with a neutral earth ground. The voltage is adjustable from 10 to 15V DC which covers just about anything I’ll ever do.

Skipping ahead, I started drilling and cutting openings for the parts. Depending on what you’re using for parts and a box you might have to do something different but this worked well for what I was doing. The two speakers in the bac and the AC cord jack on the front right corner so I could comfortably plug it in. I used two tools to cut the holes. The circles were cut with a Dremel tool and the rectangular hole I used a chisel. The wood on this Hobby Lobby box was really soft so chiseling out a hole only took about 10 minutes. One word on chisels… never use them for anything other than wood, store them safely, and keep them oiled. Nothing worse than a fucked up chisel.

The speakers fit perfectly in the back corners of the box. I really couldn’t have built something better than what I bought at Hobby Lobby. And like I said, the wood was really soft so I was able to screw in the speakers directly into the wood using the screws used in the original plastic enclosure. This was much easier than sifting through bins of spare parts finding something to fit. Screwing in the AC jack was equally simple.

Next I installed the amplifier section of the computer speakers. I wanted to use the original DC power supply that came with the speakers so I wasn’t running it off of the supply I’d be using for a project. I simply screwed in the transformer directly into the wood. Now, this probably isn’t the safest way to go about this. The wires are exposed, and there’s no heat sink so do this at your own risk. Next I needed to attach the amplifier to the box. I didn’t have any standoffs that were the right size and the mounting holes were in awkward positions. I decided to make my own brackets. I frequently make brackets for projects using ½” brass strips. You can find these at pretty much any art supply store or train/model hobby store. They’re cheap, really strong, easy to bend, and easy to cut with a Dremel. A couple cuts, bends, and holes drilled and I was set up. I used mounting screws and nuts to adjust the height and stabilize the front of the circuit board

So when soldering it’s important to keep a wet sponge near by to occasionally wipe the tip. I made my own little portable holder that I’ve used for years now. I love Pillsbury’s Flaky Supreme cinnamon buns. When you’re done baking them you slather on that super sugary frosting and they’re delicious. I keep the plastic containers that the frosting comes in and wash it out, cut two plain old sponges in circles and plop them in the plastic container. Add water. It’s just the right size and stays wet for a day or so. Only problem is that it slips and slides all over the place which can be a hassle.

So, to keep the sponge from sliding all over the place and keep it at arms length I chiseled out a circular depression in the top of the box which the plastic container can rest in. Again, the wood is soft on these boxes so it didn’t take long at all. Just took a little patience so that I didn’t slip and chisel out a huge piece of wood.

Next I wanted a built in outlet for my soldering iron so I didn’t need to keep an extra power strip handy just to use one outlet. I went to home depot and bought a wall jack with only one outlet. In this instance I bought a safety outlet. I figured since I’m mounting the outlet directly to wood, with no switch, or fuse the least I could do is get a safety outlet. I’d suggest putting in a power switch and fuse if you try this. Chiseling out this hole took a bit longer and the wood needed to be notched out so the outlet would sit correctly. Also, because of limited space on the side panel I had to trim off the ends of the mounting brackets (not shown in this picture). The Dremel saves the day again.

Skipping ahead, here’s the AC wired up. I stripped out the heavy gauge wire from an old busted power strip and trimmed it to size. I added some heat shrink tube for color coding. The wires on the end of the AC input jack needed to be soldered but on the other ends I crimped on some spade tongues so I could connect/disconnect the wires quickly and easily if needed. I did this for all the AC lines. The wiring is pretty simple. White and black or the power inputs and the center is ground. I go from the input to the outlet to the power supply. Not visible in this picture is the AC power going to the amplifier in a similar fashion.

I had to drill a number of holes on the lid of the box so I could mount binding posts, switches, and jacks. Because the wood was ½” thick I needed a small hole on one side and a large hole on the other to fit the body of the component. Drilling the small hole is easy. Just choose the size that matches the width of the threaded mount on the component. To make a larger hole that sinks in to the correct depth I use an old trick. Measure the depth you need up the drill bit from the tip and then wrap a bunch of masking tape around the drill. Now drill your larger hole over the smaller hole and only go as deep as the tape. I tend to add a lot of tape so in case I push to hard the tape actually stops the drill so I don’t go all the way through the wood and ruin the hole.

Here I mounted three binding posts across the top of the box for DC power. I simply drill holes and screwed the plastic posts into the holes. The wood is soft so they took really well. I did have to tweak the size a bit with a round wood file but that was minimal. Because you can’t get in under the top of the box it’s necessary to solder the connection wire to the bottom of the binding post before you screw it in. I made sure to use heat shrink given the proximity to the DC & AC power wires.

Here are all the binding posts jacks, and switches installed followed by an image of the underside of the lid. All jacks were wrapped in heat shrink tubing. I tidied up the wire using staples from a staple gun. Instead of using the staple gun though I gently pushed the staples in with needle nose pliers so as not to knick the wires. After I had put this all together and tested it I was having a hell of a time getting the audio out to work right. The wiring wasn’t at all complicated so I had no idea what was wrong. I should have known though… one of my switches I bought at Radio Shack. So besides being completely ripped off by having to pay $3.99 for a $0.20 switch, I also got totally hosed because their parts are worthless shit.

These last two are the finished box (for now). You can clearly see I can fit around four or five breadboards vertically on the top of the lid if need be and all my ins and outs are in easy reach. The lid opens up and provides enough extra space to keep the AC power cable, a soldering iron, the sponges, some solder, needle nose, a pencil, or whatever. On the second picture if you look inside you’ll see a little RCA .mp3 player. I bought this at Wal-Mart for 30 bucks. It’s 2GB mp3 player/flash drive that runs on 1AAA battery. What I’ve done is load up 25 clips of various types of instruments or sounds. Guitars, vocals, drums, bass, synths, full songs, etc. This way when I’m testing an audio circuit I’m working on I can listen to how instrumentation actually sounds running through it. And when I’m done I can grab it and go. I used to have an iPod and lost it… which I was OK with because iTunes irritated the crap out of me. This thing was super cheap, has plenty of storage for what I need, and all you need to do to add .mp3s is drag and drop.


And last but not least, here’s a poorly drawn diagram of the entire operation. I’ve set it up so that either an internal or external audio source can feed the development circuit via the internal .mp3 player or an auxiliary stereo ¼” jack. Just connect the input binding posts to the circuit you’re working on (left, right, gnd). If your not working on a stereo set up I’ve added a mono/stereo switch which merges left and right and sends it to the ‘left’ binding post. Second you can easily hear the impact your circuit has on audio I’ve added a bypass switch so you can toggle between your circuit and direct audio out. Third, when the audio exits your development circuit it feeds into the binding posts on the right which subsequently feed the internal amplifier and speakers. Should you prefer to send the signal out to an external amp (or whatever) you can do so via a second stereo ¼” output jack. If the signal from your development circuit is mono, there is a stereo mono switch that sends the mono signal (connected at the L binding post) and feeds it to both the L & R inputs of the internal amplifier. I’ve tried to draw it out so it makes more sense than I’ve written it here. Of course, if you have questions just leave a comment or email me.

Click for Hi Res

RLM – Wildlife

RLM-Final

Somewhere around 2000, shortly after I broke the lease on the worst apartment ever at 148 Degraw Street in Brooklyn I moved in with my best childhood friend Jamie and his roommate Dan on 7th Ave.  A railroad apartment, that was far too small for two people, let alone three, was my home for a couple months before I finally moved out into the amazing but nearly deadly ‘4th & Garfield’.

During that time I was working on a number of projects, drinking more beer than was healthy, and had set up shop in the dining room of their apartment.  Jamie and his friend Steve were both DJing down-tempo music at the time and thought a collaboration on a mix blending exceptional vinyl selections with the advancements in software based synthesis and tracking was overdue.  Tracks were selected, reselected, mixed, remixed and stitched into a seamless blend of great down-tempo of the time.

RLM was formed, and the Wildlife Mix was forged.  Roberts, Langolf, and Marchese: an original formula for a name without doubt.  This was a brief collaboration that resulted in the release of one full length mix on CD for circulation to whoever would have it.  After all this time I still have a number of CDs in my studio that are collecting dust.  Want one?  Email me and it’s yours.  Or, you can download the .mp3 below.  I recently uncovered the track listing…. These are surely out of order but credit is necessary for the original artists.

  • At Jazz
  • Certain Peace
  • Drifting
  • Eclipse
  • Eric Kupper
  • Ginger & Fred – Voom Voom
  • Lagente Urbana
  • London Elektricity
  • Pepper Digs
  • Chattanooga Nugget
  • Yoruba
  • Que Domingo
  • Restless Soul
  • Root Down
  • Slow Supreme
  • T-Kolai – exodus, andulu vocal mix on ibadan
  • When I Fall Weekender mix – A:Xus on Guidance.
  • Welcome Home
  • Two t’seven

You can find another copy on Steve’s critically reviewed music blog Scissorkick here.  It’s important to add that through this project I was able to get to know Steve much better; a man with astounding knowledge of all walks of music and immense passion for his friends, family, wife, and son.  All would be a better person by knowing him.

Tall Boy

tallboy-boobs

This work-in-progress is an unreleased (well, except for here)  follow up of past works of a similar grain by members of Master Mosquito. Emotive guitar styling with warm and sunny synth melodies carry you through this eclectic, spacious, and resonant track. Much like a Tallboy it’s good anytime in any situation. Much thanks to Aaron and Jamie for their hard work on this one.

You will find that the stripes included in this zip are not one-to-one matches with the final mix. As edits, adjustments, and rearrangements made I opted not to export the stripes a second time. Nonetheless, all the elements are there and ready to go!

Master Mosquito – Tallboy

Green

Here’s what I wrote on the old site:

“Green” started several years ago and the initial melody was used in a song I co-wrote with a band that’s been long broke-up.  Out of respect for music in general I will never post the track’s roots; but eventually it was reworked into its current form. Pretty and melodic. Not bound by deadlines this will likely always be a work in progress as I’m constantly attempting to “fix” the drums. My perpetual dissatisfaction notwithstanding, please enjoy!

This still holds true.  The sounds in the beginning of this song are some of my favorites.

Green

Orange

“Orange” sounds a bit like Trans Am meets Ratatat and uses some interesting point and counterpoint melodies that blend together across a tight unaggressive rhythm.   It’s not danceable but it’s definitely listenable.  The melody sounds continuous but it’s actually two different parts that introduce themselves in the beginning then overlay on top of each other making a nice moving progression.  In retrospect, changing the tambre of the two parts or panning them in the mix might make that more apparent.  Lessons learned for next time.

Orange

samples

Sackett Street Stitches

The Endless Winter EP

This is a track from Master Mosquitto (Aaron Schultz, Jed Elijah Mowshowitz, and David Langolf, with guitars by Jamie Roberts) put out on Bastard Jazz records back in 2004.  From Bastard Jazz: a melancholy beat driven downtempo joint – heavily layered with droning synths, delayed percussion, and distorted guitar mumblings intersecting with emotive and pastoral post-rock loops.

This one is a few years old but it still puts a smile on my face.

The MP3 is Available through iTunes. For more information check out Bastard Jazz